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The Inopos
von CosmoWenman
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**Collossal Bust of Alexander the Great, known as "The Inopos", circa 100 B.C.**
Scanned from the original in the Louvre by Cosmo Wenman. Part of my series "3D Printed Portraiture: Past, Present, and Future," www.cosmowenman.com/3DPPPPF.html, shown at the MakerBot exhibit at the Consumer Electronics Show in January, 2013.
From *"Faces of Power: Alexander's Image and Hellenistic Politics"* by Andrew Stewart:
*"It is clear that in antiquity Alexander was a chameleonlike figure indeed, more a paradigm than a person. For not only was his own character multifaceted and contradictory, but his achievements evoked wildly divergent and contradictory responses from those whom it touched. So he swiftly became a cliché or rather a set of clichés or* topoi *to be evoked in images that are wildly divergent in character, quality, type, provenance, date, and, apparently, purpose.*
*All this points less to a Hellenistic and Roman "portrait" of Alexander than to a complex a
Scanned from the original in the Louvre by Cosmo Wenman. Part of my series "3D Printed Portraiture: Past, Present, and Future," www.cosmowenman.com/3DPPPPF.html, shown at the MakerBot exhibit at the Consumer Electronics Show in January, 2013.
From *"Faces of Power: Alexander's Image and Hellenistic Politics"* by Andrew Stewart:
*"It is clear that in antiquity Alexander was a chameleonlike figure indeed, more a paradigm than a person. For not only was his own character multifaceted and contradictory, but his achievements evoked wildly divergent and contradictory responses from those whom it touched. So he swiftly became a cliché or rather a set of clichés or* topoi *to be evoked in images that are wildly divergent in character, quality, type, provenance, date, and, apparently, purpose.*
*All this points less to a Hellenistic and Roman "portrait" of Alexander than to a complex a
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